YORK/SHERIDAN DESIGN GRAD SHOW 2010

April 18 - 21, 2010 at the Fermenting Cellar in Toronto
Linna Xu

Linna Xu




Ilford Film Package

Ilford, founded in 1879, is one of the oldest film producing companies and has become a well-established manufacturer of consumer and professional films, with its niche product being black and white film. They are one of the only film companies today that still manufacture 120 film. However, the rise of the consumer 135mm film and more recently and powerfully, digital photography, has diminished the popularity of 120 film and decreased its demand.

The design of this package for Ilford film reintroduces and encourages the use of analog film technologies. The reusable packaging of the film functions as a pinhole camera, which provides individuals with a way of exploring analog photography and re-introduces a mindset and manner of working that is completely different from that which comes with fast-paced digital imaging technologies. It’s simplicity allows users to gain a fundamental understanding of the most basic processes of photography.

Visually, the package is meant to resemble a Twins Lens Reflex Camera from the 1800’s , which was one of the earliest types of cameras to use 120 film. Information is communicated through eight different languages (English, French, German, Italian, Spanish, Dutch, Hindi, and Japanese) on the camera body and was kept to a minimum and relocated to a separate removable label to avoid cluttering the body of the camera. The package includes assembly instructions and all of the necessary materials for easy reassembly as a fully functioning pinhole camera.

Ilford Camera Package

Ilford Camera Package

Ilford Camera Package

Ilford Camera Package

Ilford Camera Package

Ilford Camera Package

Ilford Camera Package

Ilford Camera Package

Ilford Film Package

Ilford Film Package

Ilford Film Package

Ilford Film Package

Ilford Film Package



The Italic Room

This installation was created for the hallway on the fourth floor of Marienstraße 1 in Weimar, Germany, which was unique for its parallel slanting walls. The installation employed the language of graphic design to appeal to this audience to draw the attention of the students from the Bauhaus University back to the extraordinary architecture of the building. Fittingly dubbed “The Italic Room”, physical italic type titled the space and was coupled with simple geometric rectangles of various sizes to further emphasize the slant of the wall. The white color of the installed structures was employed to draw attention to the space rather than to the work itself.

The Italic Room



Fracture

This typeface was constructed by breaking apart the anatomy of letterforms, pushing each part into a different plane, thereby disconnecting the structure through depth. The poster for the typeface reads, “put things into perspective” and touches onto the different perspectives of what the role of type should be. From different angles, type is both legible and illegible, touching on the core of the debate of the function of type.

Fracture



Helvetica

Alternate title sequence for the movie Helvetica.



Giselle



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